Garrett and I worked remotely for almost the entire edit. What were some specific post-production challenges you faced that were unique to your project? How did you go about solving them? It’s an emotionally powerful marriage of the present-day footage and the archival. This moment serves as the transition point to jump to archival footage of Fox visiting the twins at school on their 5th birthday. When Fox hangs up, she reflects on how her twins are turning 18 and they’ve never known what it’s like to have a father in the house. I love this scene because it starts out with Fox being playful and by the end of the scene she’s moved to tears. Tell us about a favorite scene or moment from this project and why it stands out to you.Ībout an hour into the film, there’s a scene where Rob calls Fox from prison and we listen to their conversation. Those markers then become the foundation for building the initial cut. If it’s interview material, I’ll usually transcribe the soundbite onto the marker note, which really helps to imprint it in my mind. I then watch all the footage and I use markers to make note of anything that intrigues me. I read books, articles, listen to podcasts - whatever I can do to understand the story that I’ll be helping to craft. My first step in starting a project is to educate myself about the topic as much as possible. How do you begin a project/set up your workspace? So, I started selling myself as an editor for projects that wanted to rent Avid time but couldn’t really afford editors. I saw that editing was really where the film - especially documentaries - found their form.
But I started to meet editors who were bringing projects through and I really clicked with a lot of them on a personal level. I’d always been somewhat computer savvy, so at first I was drawn to the technology.
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I sort of lucked into a job managing a small post-production house in Berkeley and the owner allowed me to use the Avid systems for free at night. I moved to San Francisco after college and I knew that I wanted to be a filmmaker, but I had no idea if I would specialize in a craft. How and where did you first learn to edit?
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